Latifa returned to the Carthage International Festival with fresh energy and smart choices—in style, technique, and arrangement. Her concert was a vibrant mix of singing and dancing, featuring both new and classic hits, including songs from her latest album.
The audience’s reactions were overwhelmingly positive. People left the venue filled with joy and excitement, describing the concert as a fun, successful night, after spending two unforgettable hours enjoying music, dancing, and live performances. Latifa thrilled the crowd with her seamless blend of live singing, choreographed dance routines, and scenic visual elements—all brought together in a harmonious and well-executed show.
Among her new releases, Latifa performed the upbeat and playful “Ana Ma Kontesh Aqsdi Sorry”, written by Mostafa Haddouta, composed by a Jordanian artist, and directed by Hadi Awada. The performance featured modern dance routines performed by a group of young Tunisian dancers specialized in contemporary choreography. Latifa’s growing collaboration with young talents—in composition, choreography, arrangement, instrumentation, and sound engineering—reflects her conscious effort to stay in tune with younger generations and their artistic tastes, betting on their skills and aiming to win their hearts.
One of the emotional highlights of the evening was her performance of the touching song “Yalli Mrawwah” (“Greet the one who left and never returned, tell him to come back, I’m alone and abandoned in exile”). Latifa sang this with visible emotion, as the song echoes her personal grief following the loss of both her mother and brother. She revealed that rehearsing this particular piece brought back vivid memories of her late mother, who was her greatest support and inspiration. Latifa shared that her mother remains with her in spirit and is a constant presence in her thoughts and work.
She also revisited some of her most iconic songs, including the beloved classic “Hobbak Hady”, a fan favorite at Carthage and still a trending song on digital platforms—even after 20 years since its release.